Jason and Jake are coloring; they show each
other their pictures and Jason asks if he can have a hug. Jake sits on his lap, and Jason starts
squeezing him, almost putting him in a chokehold; Jake starts calling out, “not
so hard dad.” Jason wakes up; Sam says
he must have been having a bad dream.
He says, “yeah.” Sam asks Jason
what’s bothering him; he tells her Jake is afraid of who he used to be. Jason says he feels helpless because he
doesn’t know how to help his boy; he thinks there might be some answers in the
book Helena left him.
Jake has a fever… of 110; very odd. Even Franco knows he faked it; he says, he used to use a light bulb to heat the thermometer up. He asks Elizabeth what she thinks is going on. She tells Franco she talked to Jason about the picture of the little boy hiding from the scarecrow; she says that they have realized Jake is afraid of the man Jason used to be. As Elizabeth and
Franco talk, Jake overhears; he asks what they are trying to help him
with. They say they want to help him
feel better; Elizabeth asks if she can get him a cut of tea and he says sure. He asks Franco if he wants to color; he says
that’s like asking a kid if he wants pancakes.
Jake unrolls his scroll; Franco notices he has added something to the
history line… above the boy hiding behind the tree, are the numbers 0705. When Franco asks him what those numbers mean
to him, Jake suddenly starts “not feeling so good” and goes back to his
room. Jason comes over to ask about
seeing the book; Elizabeth and Franco show him the numbers and ask if they mean
anything to him. They wonder if it’s a
date; July 5th, or May 7th? They note, May 7th is Jake’s birthday.
Tracy talks to
her father’s picture again; she says she can’t believe he would have done
this. Dillon comes into the living
room, totally understanding; he says when she is ready to talk to a living,
breathing person, he’s her guy. She
asks if he thinks she’s an awful person for not giving up the painting; Dillon
tells his mother, her father wasn’t here for her when he was alive, and asks
what makes her think that he’ll be there for her in his death. He sits down and tells his grandfather his
way of loving sucks; he tells his mom, he will be disappointed if she doesn’t
give up the painting, but he’ll get over it.
He will always love her and he won’t abandon her; he says as long as
they stick together, they will be okay.
He tells her there’s not many of them left, so they can’t afford to cast
anybody aside; he kisses her and leaves.
She talks to her father again, saying it’s nice to have the support from
Dillon she never had from him. Laura
comes in to talk to her; Tracy asks Laura what if her father was not the man
she believed he was. She wonders if the
time and energy she has wasted on him was worth it, saying either he was a good
and flawed man she believed in, or he was a callous bastard. Either, the painting is a declaration of
love for her, she says, or it’s the only thing of value she ever got from him;
either way, she tells Laura, she is not giving it up. Laura says, if Edward strayed, it doesn’t mean he didn’t love
Lila; and he made her happy, she says.
They were a good balance Laura tells Tracy; she also says she got the
best of both of them and should be proud.
She leaves.
Kiki talks to Samira; she tells her that the Quartermaine’s
will help her and she should trust them.
Samira ask why she trusts them; Kiki says, “Dillon.” As long as he is on her side, she says,
she’ll be okay. Kiki talks to Monica
about Samira; she tells her Samira is getting restless. Monica tells her they admitted her under an
alias, and ran all the tests; they are just waiting for the results. The large gentleman from immigration walks
up to the desk and demands Monica’s attention; she tells him she is busy, then
asks Kiki to take care of this patient’s discharge. She says she has already signed the papers; she hands her
Samira’s alias file. Kiki sees Dillon
and asks him for his help getting Samira out of the hospital unseen; Dillon
goes out to get a wheelchair. Just as
they are about to wheel her onto the elevator, Ned steps off of it; he stops
them and tells the immigration man that Samira is right there. They are all stunned.
Alexis is meeting with
Diane; Carly happens to come by. Diane
apologizes, saying Sonny called her first; she says that’s okay, and asks
Alexis if she wants to represent her in her divorce from Sonny. Diane excuses herself. Carly explains to Alexis that Sonny has some
“sensitive information on Jax” and has had him deported permanently. Alexis tells her, unfortunately, her license
is still suspended; she gives her a referral.
Ava sees Alexis talking with Carly and asks Alexis why she didn’t tell
her, her brother was alive. She says
she has other things to worry about and excuses herself. Ava asks Carly if it’s too early to toast to
her divorce; she sits down, but when she mentions Carly being out of Avery’s
life after the divorce, Carly tells her she does not plan on being absent from
Avery’s life, ever., and she leaves.
Sonny
is on the phone with somebody, who I assume is analyzing the pills; he says
they could be the key to what caused his son’s death. Diane tells Sonny he needs to not be so obstinate… he says Carly
will leave with what she brought to the marriage and nothing else; Dian tells
him not to be so sure. She explains, he
signed transfers last year, endowing the foundation in Morgan’s name and trusts
for his children, signing everything else over to Carly; he never had a lawyer
transfer them back over to him. Carly
holds all of the cards, Diane tells him; and to avoid federal difficulties, she
says, he may have to live outside of the country… like Jax, Sonny says. Love that irony.
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